Schindler's List

Schindler's List (1993) is Steven Spielberg's unexpected award-winning masterpiece - a profoundly shocking, unsparing, fact-based, three-hour long epic of the nightmarish Holocaust. Its documentary authenticity vividly re-creates a dark, frightening period during World War II, when Jews in Nazi-occupied Krakow were first dispossessed of their businesses and homes, then placed in ghettos and forced labor camps in Plaszow, and finally resettled in concentration camps for execution. The violence and brutality of their treatment in a series of matter-of-fact (and horrific) incidents is indelibly and brilliantly orchestrated.

Except for the bookends (its opening and closing scenes) and two other brief shots (the little girl in a red coat and candles burning with orange flames), the entire film in-between is shot in crisp black and white. The film is marvelous for the way in which it crafts its story without contrived, manipulative Hollywood-ish flourishes (often typical of other Spielberg films) - it is also skillfully rendered with overlapping dialogue, parallel editing, sharp and bold characterizations, contrasting compositions of the two main characters (Schindler and Goeth), cinematographic beauty detailing shadows and light with film-noirish tones, jerky hand-held cameras (cinema verite), a beautifully selected and composed musical score (including Itzhak Perlman's violin), and gripping performances.

The screenplay by Steven Zaillian was adapted from Thomas Keneally's 1982 biographic novel (Schindler's Ark), constructed by interviews with 50 Schindler survivors found in many nations, and other wartime associates of the title character, as well as other written testimonies and sources. Oskar Schindler was an enterprising, womanizing Nazi Sudeten-German industrialist/opportunist and war profiteer, who first exploited the cheap labor of Jewish/Polish workers in a successful enamelware factory (Deutsche Emailwaren Fabrik or D.E.F.), and eventually rescued more than one thousand of them from certain extinction in labor/death camps.

Before the film was made, Spielberg had offered Holocaust survivor and director Roman Polanski the job of making the film, but Polanski declined. Since then, ten years later, Polanski made his own honored Holocaust film, the Best Director-winning The Pianist (2002). Stanley Kubrick abandoned his own plans to make a similar film in the planning stages, called "The Aryan Papers" - based on the Louis Begley novel Wartime Lies.

The unanimously-praised film with a modest budget of $23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction. It also won nominations for two of its male leads: Best Actor (Liam Neeson) and Best Supporting Actor (Ralph Fiennes), Best Costume Design, Best Sound, and Best Makeup. Other organizations including the British Academy Awards, the New York Film Critics Circle, and the Golden Globes, likewise honored the film. It was the first black/white film since The Apartment (1960) to win the Best Picture Academy Award, and the most commercially-successful B/W film in cinematic history.

Review by Tim Dirks

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